Jim Henson: American Puppeteer
Henson, Jim: Kermit the Frog
Mark Wilson—Getty Images/ThinkstockThe Editors of Encyclopaedia Britannica have written a series of mini-biographies. Here is an excerpt from Editiors’ profile of Jim Henson. To learn more about her/him and others, please click here.
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Prior to his death in 1990, Henson was in negotiations with the Disney Company to sell the rights to the Muppets. The deal was finalized in 2004 and transferred the trademarks and copyrights of most of the iconic characters to Disney. Later projects included the feature film Muppets Most Wanted (2014) and The Muppets (2015–16), a television series purporting to document the behind-the-scenes antics of Miss Piggy, Kermit the Frog, and their cohort.
Except in certain movie sequences using special effects, Henson’s Muppets, made of sculptured foam rubber, plastic, and various fabrics, were either hand puppets or fully costumed persons (as in the case of Big Bird and Snuffleupagus). For the hand puppets, each head or arm was worked by one hand so that if there was to be a head and two arms, there must be the hands of two Muppeteers. Complicated characterizations on rare occasions even required three Muppeteers. The voice of the Muppet was the voice of the person (or primary person) operating it.
Henson also was an experimental filmmaker. Time Piece (1965), a short film that he wrote, directed, and starred in, was nominated for an Academy Award. In 1967 Henson released two more short films, The Wheels That Go and Ripples, as well as the industrial film The Paperwork Explosion, developed for the computer company IBM. He later wrote the television documentary Youth ’68: Everything’s Changing…or Maybe It Isn’t (1968), an attempt to articulate the culture of rebellion emerging in the younger generation. It juxtaposed interviews with musicians, their fans, and a series of censorious adults. Henson also wrote and directed the television film The Cube (1969), the surreal tale of a man unable to escape from an alternate reality.