The Wit and Wisdom of Orson Welles

George Orson Welles (May 6, 1915 – October 10, 1985) was an American actor, director, screenwriter, and producer who is remembered for his innovative work in film, radio, and theatre. He is considered to be among the greatest and most influential filmmakers of all time.

At age 21, Welles was directing high-profile stage productions for the Federal Theatre Project in New York City—starting with a celebrated 1936 adaptation of Macbeth with an African-American cast, and ending with the controversial labor opera The Cradle Will Rock in 1937. He and John Houseman then founded the Mercury Theatre, an independent repertory theatre company that presented a series of productions on Broadway through 1941, including a modern, politically charged Caesar (1937). In 1938, his radio anthology series The Mercury Theatre on the Air gave Welles the platform to find international fame as the director and narrator of a radio adaptation of H. G. Wells’s novel The War of the Worlds, which caused some listeners to believe that a Martian invasion was in fact occurring. Although reports of panic were mostly false and overstated, they rocketed 23-year-old Welles to notoriety.

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o We’re born alone, we live alone, we die alone. Only through our love and friendship can we create the illusion for the moment that we’re not alone.
o Create your own visual style… let it be unique for yourself and yet identifiable for others.
o A film is never really good unless the camera is an eye in the head of a poet.
o My doctor told me to stop having intimate dinners for four. Unless there are three other people.
o Popularity should be no scale for the election of politicians. If it would depend on popularity, Donald Duck and The Muppets would take seats in senate.
o I started at the top and worked my way down.

o I hate television. I hate it as much as peanuts. But I can’t stop eating peanuts.

o Only very intelligent people don’t wish they were in politics, and I’m dumb enough to want to be in there.

o Good evening, ladies and gentleman. My name is Orson Welles. I am an actor. I am a writer. I am a producer. I am a director. I am a magician. I appear onstage and on the radio. Why are there so many of me and so few of you?
o I want to give the audience a hint of a scene. No more than that. Give them too much and they won’t contributing anything themselves. Give them just a suggestion and you get them working with you. That’s what gives the theater meaning: when it becomes a social act.
o I prefer the old masters, by which I mean John Ford, John Ford, and John Ford.
o I passionately hate the idea of being “with it”; I think an artist has always to be out of step with his time.
o I’m a provincial. I live very much like a hermit: reading, listening to music, working in the cutting room, writing, commercial work – which doesn’t take up that much time.
o I don’t pray because I don’t want to bore God.
o I have always been more interested in experiment, than in accomplishment.

o I feel I have to protect myself against things. So I’m pretty careful to lose most of them.

o My mother and father were both much more remarkable than any story of mine can make them. They seem to me just mythically wonderful.

o The best thing commercially, which is the worst artistically, by and large, is the most successful.
o Nobody gets justice. People only get good luck or bad luck.

o The enemy of art is the absence of limitations.

o The notion of directing a film is the invention of critics – the whole eloquence of cinema is achieved in the editing room.

o A good artist should be isolated. If he isn’t isolated, something is wrong.

o Everything about me is a contradiction, and so is everything about everybody else. We are made out of oppositions; we live between two poles. There’s a philistine and an aesthete in all of us, and a murderer and a saint. You don’t reconcile the poles. You just recognize them.

o Race hate isn’t human nature; race hate is the abandonment of human nature.

o I have a great love and respect for religion, great love and respect for atheism. What I hate is agnosticism, people who do not choose.
o There’s no biography so interesting as the one in which the biographer is present.
o I can think of nothing that an audience won’t understand. The only problem is to interest them; once they are interested, they understand anything in the world.
o I don’t want to forgive myself. That’s why I hate psychoanalysis I think if you’re guilty of something you should live with it. Get rid of it – how can you get rid of a real guilt? I think people should live with it, face up to it.

o I think an artist has always to be out of step with his time.

o I was spoiled in a very strange way as a child, because everybody told me, from the moment I was able to hear, that I was absolutely marvelous, and I never heard a discouraging word for years, you see. I didn’t know what was ahead of me.

o I have the terrible feeling that, because I am wearing a white beard and am sitting in the back of the theatre, you expect me to tell you the truth about something. These are the cheap seats, not Mount Sinai.

o I do not suppose I shall be remembered for anything. But I don’t think about my work in those terms. It is just as vulgar to work for the sake of posterity as to work for the sake of money.

o Man is a rational animal who always loses his temper when called upon to act in accordance with the dictates of reason.
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To learn more about Orson Welles’s life and work, please click here.
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