For years, I have believed — and often referred to — what may well be a misconception that the Chinese character for “crisis” has a dual meaning: “peril” and “opportunity.”

Here is an excerpt from an essay by  Victor H. Mair, professor of Chinese language and literature at the University of Pennsylvania, with contributions from Denis Mair and Zhang Liqing. © Victor H. Mair. In it, Professor Mair discusses what he characterizes as “a widespread public misperception.”

To read the complete article, please click here.

*     *     *

There is a widespread public misperception, particularly among the New Age sector, that the Chinese word for “crisis” is composed of elements that signify “danger” and “opportunity.” I first encountered this curious specimen of alleged oriental wisdom about ten years ago at an altitude of 35,000 feet sitting next to an American executive. He was intently studying a bound volume that had adopted this notorious formulation as the basic premise of its method for making increased profits even when the market is falling. At that moment, I didn’t have the heart to disappoint my gullible neighbor who was blissfully imbibing what he assumed were the gems of Far Eastern sagacity enshrined within the pages of his workbook. Now, however, the damage from this kind of pseudo-profundity has reached such gross proportions that I feel obliged, as a responsible Sinologist, to take counteraction.

A whole industry of pundits and therapists has grown up around this one grossly inaccurate statement. A casual search of the Web turns up more than a million references to this spurious proverb. It appears, often complete with Chinese characters, on the covers of books, on advertisements for seminars, on expensive courses for “thinking outside of the box,” and practically everywhere one turns in the world of quick-buck business, pop psychology, and orientalist hocus-pocus. This catchy expression (Crisis = Danger + Opportunity) has rapidly become nearly as ubiquitous as The Tao of Pooh and Sun Zi’s Art of War for the Board/Bed/Bath/Whichever Room.

The explication of the Chinese word for crisis as made up of two components signifying danger and opportunity is due partly to wishful thinking, but mainly to a fundamental misunderstanding about how terms are formed in Mandarin and other Sinitic languages. For example, one of the most popular websites centered on this mistaken notion about the Chinese word for crisis explains: “The top part of the Chinese Ideogram for ‘Crisis’ is the symbol for ‘Danger’: The bottom symbol represents ‘Opportunity’.” Among the most egregious of the radical errors in this statement is the use of the exotic term “Ideogram” to refer to Chinese characters. Linguists and writing theorists avoid “ideogram” as a descriptive referent for hanzi (Mandarin) / kanji (Japanese) / hanja (Korean) because only an exceedingly small proportion of them actually convey ideas directly through their shapes. (For similar reasons, the same caveat holds for another frequently encountered label, pictogram.) It is far better to refer to the hanzi / kanji / hanja as logographs, sinographs, hanograms, tetragraphs (from their square shapes [i.e., as fangkuaizi]), morphosyllabographs, etc., or — since most of those renditions may strike the average reader as unduly arcane or clunky — simply as characters.

The second misconception in this formulation is that the author seems to take the Chinese word for crisis as a single graph, referring to it as “the Chinese Ideogram for ‘crisis’.” Like most Mandarin words, that for “crisis” (wēijī) consists of two syllables that are written with two separate characters, wēi (危) and jī (機/机).

*     *     *

Victor H. Mair is Professor of Chinese Language and Literature, Department of East Asian Languages and Civilizations, at the University of Pennsylvania. Denis Mair and Zhang Liqing contributed to this article and Professor Mair also acknowledges his gratitude to Don Ringe and Ralph Rosen. This article was last revised September 2009.